bowing and curtseying body language
Although now rare in Western society bowing and curtseying are interesting because they illustrate the status and relationship aspects of body language, which are so significant in one-to-one situations.
Bowing - Bowing is mainly a male gesture. Bending the upper body downwards towards another person or group is a signal of appreciation or subservience. The bow was in olden times a standard way for men to greet or acknowledge another person of perceived or officially higher status. The bow is also a gesture of appreciation and thanks which survives in entertainment and performance. Male bowing traditionally varied from a modest nod of the head, to a very much more pronounced bend of the body from the hips. Depth of bend reflects depth of respect or appreciation. For added dramatic effect the feet may be moved tightly together. A very traditional Western bow involves a deeper bend combined with the (normally) right-leg pushing backwards or 'scraping' on the ground, hence the expression 'bowing and scraping'. The effect can be augmented by the bower's hand pressing horizontally on the stomach, and the other arm extended, or sweeping extravagantly in a circular motion, made all the more dramatic if combined with removing a hat. Such behaviour is rare outside of Christmas pantomimes these days, however interestingly even in modern times you will see men slightly nodding their heads in an involuntary 'semi-bow' when meeting a person and wishing to show respect or admiration. As such, the small nod or bow of a head can be a clue to perceived seniority in relationships. Bowing has long been more significant and complex in Eastern cultures, where the gesture carries a similar deferential meaning, albeit it within more formal protocols and traditions. The fundamental body language of bowing is rooted in showing subservience by lowering one's gaze and body, literally putting the bower at a lower level than the other person. Bowing remains significant in Japanese culture.
Curtsey/curtsy - The curtsey is the female equivalent of the male bow, and in their most extreme versions curtseying and bowing gestures are quite similar. A curtsey is a bend of the knees, combined with a slight bow of the head, and sometimes a lifting of the skirt or dress at each side, at knee-height, by both hands. This skirt-lift dates from olden times when this prevented a long skirt from touching wet or muddy ground. The female curtsey gesture survives in traditional situations such as meeting royalty, or ending a stage or dance performance, in which you might see an older more flamboyant and deeper curtsey entailing one knee bending sideways and the other leg bending behind. Curtseying has effectively now been replaced by handshaking, although as with male bowing it is possible sometimes to see small head bows by women when meeting and shaking hands with someone regarded as superior or important.
Bowing and curtseying as conscious intentional gestures have effectively disappeared from Western behaviour, but importantly people's body language continues to give much smaller unconscious signals which can be linked to these old formal gestures and their meanings.
Although now rare in Western society bowing and curtseying are interesting because they illustrate the status and relationship aspects of body language, which are so significant in one-to-one situations.
Bowing - Bowing is mainly a male gesture. Bending the upper body downwards towards another person or group is a signal of appreciation or subservience. The bow was in olden times a standard way for men to greet or acknowledge another person of perceived or officially higher status. The bow is also a gesture of appreciation and thanks which survives in entertainment and performance. Male bowing traditionally varied from a modest nod of the head, to a very much more pronounced bend of the body from the hips. Depth of bend reflects depth of respect or appreciation. For added dramatic effect the feet may be moved tightly together. A very traditional Western bow involves a deeper bend combined with the (normally) right-leg pushing backwards or 'scraping' on the ground, hence the expression 'bowing and scraping'. The effect can be augmented by the bower's hand pressing horizontally on the stomach, and the other arm extended, or sweeping extravagantly in a circular motion, made all the more dramatic if combined with removing a hat. Such behaviour is rare outside of Christmas pantomimes these days, however interestingly even in modern times you will see men slightly nodding their heads in an involuntary 'semi-bow' when meeting a person and wishing to show respect or admiration. As such, the small nod or bow of a head can be a clue to perceived seniority in relationships. Bowing has long been more significant and complex in Eastern cultures, where the gesture carries a similar deferential meaning, albeit it within more formal protocols and traditions. The fundamental body language of bowing is rooted in showing subservience by lowering one's gaze and body, literally putting the bower at a lower level than the other person. Bowing remains significant in Japanese culture.
Curtsey/curtsy - The curtsey is the female equivalent of the male bow, and in their most extreme versions curtseying and bowing gestures are quite similar. A curtsey is a bend of the knees, combined with a slight bow of the head, and sometimes a lifting of the skirt or dress at each side, at knee-height, by both hands. This skirt-lift dates from olden times when this prevented a long skirt from touching wet or muddy ground. The female curtsey gesture survives in traditional situations such as meeting royalty, or ending a stage or dance performance, in which you might see an older more flamboyant and deeper curtsey entailing one knee bending sideways and the other leg bending behind. Curtseying has effectively now been replaced by handshaking, although as with male bowing it is possible sometimes to see small head bows by women when meeting and shaking hands with someone regarded as superior or important.
Bowing and curtseying as conscious intentional gestures have effectively disappeared from Western behaviour, but importantly people's body language continues to give much smaller unconscious signals which can be linked to these old formal gestures and their meanings.
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